Robots and Humans (+Video)

Robots Exhibition at the Science Museum, London from Karen Andrews on Vimeo

Cute toys? Job thieves? Creepy threats to mankind? Robots, the Science Museum's latest exhibition, introduces many topical preoccupations.

As you stand in the lobby queue for your timed entry slot, you see two cute, toy-like robot ticket desks. One desk was initially unmanned on my arrival; the other had a long queue. 

You see a 3-tiered bank of robot eyes on your right as you wait. 

No-one paid much attention. 

Then, creepily... the eyeballs moved.



The first exhibit inside the entrance catches everyone by surprise. An animatronic baby raises a mix of emotions in visitors. So life-like. The eyes have the knowing look of an old soul seen in some new-borns. It moves like a baby. And yet, something is missing. 

Visitors stand back from the animatronic baby

The movements have a controlled pattern. No welling maternal instinct rushes to rescue the helpless creature from its stake on the wall. As blue lights change to pink and pink to blue, the urge is to step back and away instead.

Why? What makes a human baby such a unique creation? So utterly helpless at birth and yet a powerful learning machine. So determined without programming, yet some personality traits seem 'built in' from birth - or even before.

Close-up of animatronic baby in Robots Exhibition

The Science Museum's Robots Exhibition takes you on a journey: Man's 500-year quest to make robots human. It leaves you asking questions about the current direction of robotics. It leaves you marvelling at the unique creation that is every single human baby.

Single-shuttle loom

The exhibition is divided into 5 sections representing 5 different periods in the history of automation. 

The first section is called 'Marvel'. It shows Man's early attempts at automation. 

The second section 'Obey' presents the Industrial Revolution. It turned men into robots, servants of the machine.

The first recognisable robots appear in the 'Dream' section. Many are film creations of an imagined future. Some are cute; some are downright scary. Many are mere toys.

...And nothing can possibly go ... worng...

Scientists take over from the film-makers in the 'Build' section. The obsession to recreate ourselves as machines reaches new heights. Researchers' efforts demonstrate the complexity of our bodies and minds. 

Coordinating vision, recognition, reaction & movement - tough for a robot

The sophistication gradually increases. Many robots in this section are not complete. We see an arm or a hand.  They still cannot match smooth, instantaneous human movements. 

Sophisticated robotic hands are no match for human hands

The final section is entitled 'Imagine'. The robots on display are very recent productions for a museum. Robothespian dates from 2016. Science is moving so fast. AI's more recent and advanced developments are not on display. 

As children and adults interact with the robots, many of today's concerns become apparent. The UK's Robothespian is irritating; the Italian robot shows off; the Japanese news-reading robot is unnerving. Pepper, the French companion robot, is so popular that a crowd forms tightly around her.

UK's Robothespian of 2016

There are safety issues. Each robot is sectioned off from other robots and the public. Industrial robots can now work collaboratively with humans. Robots aren't toys any more.

Toyota's Human Support Robot

No single robot seems to combine all human activities and brain power as yet. It would need to be huge to do so. Remember the size of the original mainframe computers? Miniaturisation will come. 

It is proposed that robots should become care-providers for the young and elderly - i.e. the most vulnerable in society. Do we want or need that?

Young children and the elderly with dementia are unpredictable. The mobility, determination and unpredictability of  a news commentator's children went viral on Twitter this week. Are robots a match for this?

I also saw a video of children 'playing' with Alexa this week. They were running rings around her by proposing fake shopping list items. We would call it bullying, if Alexa were human.

How will we prevent artificial intelligence from learning how to bully? Do robots really need to take a human form?

Past Blogs on Robotics:

Robotics in the Media: Science Museum Lates – Part 1

Robotics and Ethics: Science Museum Lates – Part 2

Intelligent Robots: Science Museum Lates – Part 3

Karen Andrews is a freelance French to English translator, transcreator, content writer and editor. She has a strong background in global marketing.

Email Karen for further information via karenanglicityen@gmail.com in French, German or English.

Casting Light on Urban Renewal

A return to a once familiar area can be a revelation. Last night I found myself in Bankside, London. In the 1990s, I would often find myself working in the office late into the evening. As a young woman, I found the late evening walk to the tube too dark, quiet and even unsafe.

Last night, I was amazed at the area's transformation. It really highlights what can be achieved with well-coordinated urban planning and renewal. Just look at the photos.

Colourful building with brightly-lit ground floor

The area has been filled with much brighter office buildings, a new retail area and wider pavements with clear visibility.

Blue Fin Building and retail outlets in Bankside

The old dark, hidden doorways are gone. The lights of shops and offices remain on even outside normal business hours casting light onto the pavements.

Uplighting, low-lighting and lit trees

Additional lighting has been added at various levels. I loved the uplighting of trees. Hedges are kept small and well-lit.

Low-lighting near NatWest Bank  and Bankside offices

The sign on the front of the Citizen M Hotel read 'Another World is Possible'. My experience was a complete contrast with my past memories of the area. It felt that I had stepped into a new world with a bright future.

Karen Andrews is a freelance French to English translator/transcreator, content writer and editor. She has a strong background in marketing and project management.

Email Karen for further information via karenanglicityen@gmail.com in French, German or English.